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lyrics

cut out shapes to affix to one another
slanted awkward slabs of foam rubber
lengthwise cut along perforated line
i sent mine to the shredder

years ago they tried to stare into the end of things like this
it seemed fine, looked like nothing most of the time

bet you want to know why this got so dumb all of a sudden
smooth like the way oatmeal feels sliding into my stomach
i like the way fresh batteries sound when they’re rubbed together
everyone else likes the old stuff better

shiny new recording device i want to lay my hands all over
vast amounts of energy spent to push a button

god damn god damn sonofabitch

cut out shapes to affix to one another
each is only slightly different from the last one
cut out shapes to affix to one another
each is only slightly different from the last one

can’t stand, i just can’t stand it

credits

from In God's Loving Car, Press'd Up Against, released September 1, 1998

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Libythth Los Angeles, California

Libythth was bornt in 1993 from a grim and frothy pool of unpleasant synth patches.

The profound impact Libythth had on electronic music is purely theoretical and the full prunt of its influence on countless nonexistent artists cannot be measured by any stick.

We occupy an inaccessible hidden level and you probably shouldn’t be here.

We are unbeknownstmost.

This page marks our grave.
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